5 ways not to approach a brand

Have you ever wondered how to approach a brand about sponsorship or have you been a brand and been approached in what you think isn’t quite the right way in order to attain your support If they are a rider or an influencer who was contacted you? Today I’m looking at five ways not to approach a brand because I think that it’s important to talk about how to do it, but also the big red flags, flashing beacons, whatever you want to say about how not to do it -I think this can be just as valuable because not only do we look at key points that are not a good way to woo people or get them on side, but also the thought behind that I think is a really interesting thing to explore. So this podcast today, if you are a rider, an influencer, a blogger, whatever, absolutely ideal for you, five ways not to approach a brand, but also if you’re a brand.

I know that sometimes when we get approached, and I know that I get approached more than you’d think actually. And I know clients I work with get approached as well, and you get these messages and you kind of think, Oh what? And it makes you feel weird and uncharitable and unpleasant, all the emotions. And I think actually putting a bit of context behind that feeling and kind of saying, yeah, you’re completely legitimate in feeling like that is also really important too. Because you know, a lot of us work on our own. A lot of us are small businesses. A lot of us make these decisions about who to support, who to sponsor brand ambassadors on our own. And sometimes it can be really difficult because we get these messages and then we think, Oh well we’ve been unreasonable by saying no, but actually that really isn’t always the case.

So in the kind of style of this showing my age, but if you remember what not to wear, which was a programme on, I want to say BBC with Trinny Woodall and Susannah Constantine- not quite sure I pronounce that correctly. And they had this programme called what not to wear. And obviously through talking about what not to wear, they showed you what to wear. Um, it was brilliant. I flipping loved that programme -please bring it back. So this is ways not to approach a brand. So you know, I’m kind of harnessing that theme. So these are just five ways. Obviously you could probably write a book with ways to wind people up and not to approach them. But I thought let’s focus on just five ways. And some of them you’ll kind of go, what? And you’ll probably laugh, but then I bet if you are a brand you will laugh in a knowing way.

And if you are an ambassador who has been doing things correctly, you’ll think no one does that. They do. Trust me on that. So the first thing that sounds so obvious is make sure you’ve got the right name. Right. So I am much more pro approach via email because to me that shows that someone’s put a bit of time and effort into it. I’m not a massive fan of the approaches by direct message on Facebook and Instagram. I feel they’re quite impersonal and I feel like I’ve been copied and pasted a million times over. Sometimes I feel like that and that might not be valid. Other times I have worked with brands who have actually received messages when they have been called the wrong name and I don’t mean they wanted to speak to Sara at insert name of company and they have said the wrong name.

I mean they’ve got the name of the company completely wrong and not just a misspelling. They have called the company the different name and sometimes the name of the competitor, which I really enjoy. This sounds crazy, but it has happened to me more than once. It’s a really special moment and even if that person has actually got a lot of ticks in their boxes, the fact that they couldn’t get the name right and they have therefore not been selective over who they’re contacting and they are just contacting anybody instantly puts a big old cross next to their name in my book, so in my, in my opinion, the perfect approach is by email doing the research to make sure you’ve found the right person and the right person to contact and contacting them. That way if you are going to approach them by direct message, which is a legitimate thing and people do do it, I’d obviously make sure you put in the groundwork first.

I’m sure we’ve talked about that in a previous episode, but don’t call them the wrong name. If you love X brand pitch to X brand, don’t put Xs pitch to Y brand. Be selective about who you work with because you cannot work with everybody and you really, really shouldn’t. It just makes people look a little bit kind of flaky and like they haven’t got any loyalty and it’s not good for you. If you are representing a million brands or jumping between brands that do the same thing, it doesn’t come over very well. It really, really doesn’t. And if you are showing that already at the stage when you’re trying to pitch and you’re trying to woo people and impress them, it’s not going to look good on you. So please top tip one. Make sure you address it to the right company or the right name.

Ideally you want to know who you’re dealing with. Ideally you want that first name, but if you don’t have the first name you could contact them or DM and say that you’d really like to speak to the person responsible for working with influencers, brand ambassadors, sponsored riders, however you want to word it. Could you have their details or is it better to contact via direct message? Completely fine because it can be difficult sometimes getting to the person who’s in charge of influencer marketing or sponsorship or however it’s worded by that particular brand. Completely get that. So don’t be afraid of reaching out via DM. But I think when you are trying to put together a really good case for somebody to give you something for free, you need to put in the time. One of that is making sure you’re addressing the right person and definitely the right company that has genuinely happened to me on more than one occasion. I had a DM come in to a client’s, um, DM inbox. Um, the first time it happened was a few years ago now. And I didn’t know whether to laugh or smash my head off the table, but it was, it was literally dear name of competitor. I really love your brand. I really love this, this, this. And I was like, okay, interesting. And then I had another DM come in saying…

Oh my God, I’m so, so sorry. I didn’t mean to do that. I’ve sent it to the wrong person. I really love y’our brand!

And then I thought of course you do. Of course you do love. And um, that was just a big old cross in their name. I know we all make mistakes and don’t get me wrong. I’m not saying I don’t make mistakes at all, but to me that just proved you that you’re not particularly invested in the company and um, actually you don’t care where you get the free product from. You don’t even know nor care. And if that’s the case, you’re not going to be a brand advocate that I would advise a client to associate with just because you know, you’re just after product, and that product has a value. And if they are giving it to you, they’re not giving it to somebody else who might be an absolutely perfect fit. Flag-waving cheerleader. That’s where I want the product to go.

So first thing, get the name right. Second thing I’ve had a lot of people come to me about this, so this is you. This usually happens via direct message. You get a message from somebody saying, would you like to sponsor me? And then you don’t reply, you know, within a second and someone sends a message back with a series of question marks. Oh my goodness. And I wish I could tell you this was an urban legend, but it isn’t at all. All it does is annoy people. If you want to send somebody a polite reminder after an amount of time, like a week or something, that’s one thing. If you’re just sending a line of question marks, a line of question marks to somebody that you want to work with, somebody who is probably running around like a mad person doing all the jobs, trying to get so many things sorted and you have the audacity to send them a line of question marks because they didn’t get back to you in the millisecond after you made an unsolicited request to them.

You are not going to be working with them. It’s just flippant, rude. But I know that if you’re listening to this podcast, you are not a question mark kind of person. You are not a DM line of question mark kind of person. Thank goodness, but even if it has ever entered your mind, please don’t. And again, I kind of, I want to tell you this because I want you to realise as well what brands put up with. So when you as an ambassador or potential sponsor or something else wants to work with somebody, realise that you will not be the only person that’s approached them that week and also realise what they’re up against. And I’m not saying this because you shouldn’t approach them, I’m saying this is why you need to shine because the competition is really hot and there are so many people out there doing a really poor job of the initial approach that it makes it so much harder for you who wants to work with the brand.

Who want to do a good thing, who wants to approach them properly, but this is what they’re up against. So be aware of this and that’s where you need to shine and why you need to really think about how you approach people as well as how you work with them going forward. But the approach is definitely key. So that’s question marks. Don’t do that. Not cool. The next point, on ways not to approach a brand is just to tell them what you want. So I’d like you to sponsor me. I would like … don’t go in for that. If you are looking to kind of court somebody, court, I’ve just clearly gone back to the 1950s, if you’re looking to woo somebody, you don’t go in with what what they can give you. If you think about it like a date, if you’re going on a date with someone, you don’t sit down and go, so my plan is I want to get married and have children in the next two years and I’m like no way.

Let them get to know you before you start trying to get them down the aisle. You know, you’ve got to woo them people. So don’t approach them and say, I would like you to sponsor me. I would like this, this, this, this and this because Jesus please just don’t. It’s just rude and you haven’t even gotten to the stage where they are opening a discussion with you about the potential of working together, let alone what you’d like your order to be or what level they want to work with you at or anything. A lot of brands, we’ll start by gifting a product realistically a product of their choice. And that’s how I advise people to start working with potential brand ambassadors to give them a product and then see what happens. Because that way you haven’t got a massive amount of money tied up in it.

And if from a brand point of view, you’re protecting yourself. If you give one person, let’s say 500 pounds worth of product, although obviously a brand doesn’t pay the retail value for it, that has got a cost and it’s also cost that they are taking because they can’t sell it on. But more than that, if you put 500 pounds in one person and they don’t do what you expect, they don’t do what you would like and you are horribly disappointed, you’re going to have a job on getting that product back. Especially if it’s a product that is like a consumable. But even if it’s not, you know, a worn, let’s say, rug, a worn pair of jodhpurs with a jacket and everything else, you’re going to struggle to sell that in any way. So you’ve lost that investment. But if you had your 500 pounds as your kind of influencer budget and you spread that out amongst let’s say 10 people, you could get a much better gauge as to who was performing well and who you wanted to do more with and that’s what I would always recommend.

I’m not a kind of put your all put eggs in one basket, kind of gal. I like to spread the, I’m going to say risk, but it’s not a risk. I want to spread the opportunity actually because if I’ve got 10 people who I’m interested in and I can give them all the opportunities to shine, let’s be honest, if those 10 people absolutely knock it out the park and I’m getting referrals and orders as a brand, I’ll be looking to support all 10 of them. I might use them in slightly different ways because I might find that their demographic and I’ll try with different products. I might find that their particular demographic is more dressage or more whatever, but I have the opportunity to do that if I’ve done it. If I spread my 500 pound punt for want of a better word against across all the people.

So don’t expect to make an approach and lists what you want. You will get the chance for that conversation as you go further down the conversation with them. But don’t give him with that pitch, don’t expect them to say yes. Don’t expect them to give you exactly what you want. I think it’s really important that you have that communication because you, if you’re a dressage rider you don’t, and I’m giving you a product that’s you know, event grease or something. I’m just being really random. But, or if you’re a dressage rider, sorry, if you’re an eventer, you don’t really want them to go, Hey, potentially giving you something that’s really specific to dressage like bling plaiting bands. I don’t know. You know what I mean? So obviously as you get more into the conversation, you start working together, you have got the opportunity there to talk about what would work for you and you should talk about what would work for you because there’s no point in the brand giving you something that you are never going to use because it’s not going to do you any favours because you’re not going to use it.

It’s not going to help the brand because you’re not going to use the product. So you know everyone’s a loser. I’m not saying you shouldn’t put forward what you would like to have, but you shouldn’t put it forward when you’re pitching to them, when you’re trying to get them to work with you. That is for a much later conversation when you’ve established that they do want to work with you and you’ve got scope there to work together and move forward. So point 3 don’t pitch with what you want from them. Point four in ways not to approach brand is to show you have no interest or knowledge of the product. Again, this has happened so many times we get, um, for different brands I work with, we can get DM saying, Oh, I love your product, but and when you look, you realise that they’ve never bought your product, they’ve never used your product.

And in some amazing cases they are using a competitor’s product and they are tagging that competitor and using that competitor’s product and featuring that competitor’s product, all their feed, they’ve never so much as apparently thought about your products apart from when it comes to getting it for free. So to me, I would be like, well, why wouldn’t you? Why wouldn’t you be approaching the competitor that you use all the time? Because you know what I mean? It’s, you’ve got to think about the audience as well. So your audience, you’ll be here, you’re going, I use this let’s say, saddle soap all the time, it’s amazing. It makes my saddle you know, really rich and nourished and look, you know, shiny or whatever. I love it. And then the next day you’re using something completely different. Oh, I love this product now.

Well what, why? Obviously you can change product, but if you want to work with a brand, do use the product first. It’s really important to show you have that knowledge of the product. It’s really important to show the brand. You have that image of the product, but also from your, your fans and followers point of view. If you’re just jumping around products that you’ve just clearly been given for free and that is basically the basis for you using a product. Not cool, not good at all. If I have someone approach me and say, approach a brand that I’m working with and say, um, I was wondering how many openings for ambassadors or people to work with, I use your X product on my horses. It has helped them add a condition, get them a shiny coat, whatever, um, or really, really rated it makes such a difference.

Here’s a picture of my horse wearing said thing. I’m much more likely to think, hang on a minute. This is actually a cheerleader. This is somebody who gets the brand, who gets the quality, who has spent their own hard earned cash on this product. They are the ones that I am much more likely to say to a brand actually that this could be somebody we should consider. Look at what they’ve done already. They already own this product. They already own this product. They’re already, and they’re already a flag waver. We could support them further, not just to repay it and say thank you for what you’ve done so far, but if they’ve already got an audience that are receptive and interested in what we’re doing on our brand, that’s gonna make it much easier to integrate what we want to do. And when they say it’s gifted, it fits.

It’s not just like we are a brand who has gone right. We need some people with big followings. Actually they could have some stuff. I know they didn’t use it, but they can have it. It’s a conscious decision and I think it’s good one, on the wider base. It’s good for your supporters, but it’s good for the brand to show that they are associating with people who get the brand already. And I think that’s so important. You know, everybody has the potential to be an influencer and whether you have a really small following but a really engaged following or a massive engaged following, you are still making, you are still influencing people in their decisions, which is really great. But when you do that, you have to make sure you make good choices. And that sounds really kind of deep. But I, for example, I’m, I’m lucky that I get gifted, um, products from the brands that I work with and also some other brands that I have bought and loved and used for ever.

And I’m happy talking about those because I really like the brand and product. I actually get approached a lot from other people about promoting stuff that they do. And I don’t do it because I don’t know the product. I don’t know/like the brand and I don’t need to do it. This isn’t new. But influencing people isn’t my main line of work. And if you’re a rider, it’s not your main line of work. You need to have that integrity because I’m in this for the long game. When I get gifted items and I talk about them, um, I obviously tell you I have the item gifted, but also like I, I want to work with these people longterm. I don’t have the energy, time or scope to be chasing around after things. I want to work with people longterm. I know about the product, I know about the brands and I’m confident in telling you or saying to you why I like the product, why I picked the product, what I’ve bought from them before, how I got to know them because I’ve got that, that information that I know about the products I know about the brand and that’s the stuff I want to pass on.

So when you are contacting a brand that you’ve spent, you’ve paid attention. It doesn’t always have to be that you bought a product, especially if it’s a new company, but it might be that you have gotten a following that aligns with them and you’ve been watching them and you know that their product is for X, Y and Z and you’re really interested in Y about it. And even could you come and chat to them about it. Could you find out more information about it? Could you ask your followers about it? You don’t always have to part with money, especially if it’s a brand new product, a new brand or a brand new product, but show an interest show you have that knowledge there of the brand and product and it will serve you well. You may not, you know, you may not have people going, yes, yes, be my ambassador, but you’re actually just on the right foot and you we’ll be making that step in the right direction and showing someone you’ve actually got an interest in their business, which is step one in how to work with people.

And the last one here is when there is no value to what you have to say, what you have to offer them, which sounds really harsh but hear me out here. So imagine if you will that you are a brand and you’re getting loads of people approach you each day. The emails, the messages are either similarly weak or similarly strong. But when you click through onto their, let’s say Instagram, in this case you realise that they actually got a really small following but also they don’t post regularly and their engagement’s rubbish and their pictures are pretty weak and they’ve got a list of sponsors as their bio. Where’s value in that for a brand? You know, you look at their captions, there’s nothing there. Where is the value in that for a brand?

And I know that sounds really harsh, but you have to kind of step away from what you’re doing and look at yourself from that point of view. If you, if your value that you offer the brand and potentially is really, really low, think about what you can do to make your value greater, not just for you but as a personal brand. If you have got a weak social media, um, weak social media platforms, that’s not helping you as a brand either. But it definitely, it doesn’t make you investible if you are never, if you’re not posting, if you’re posting like once a month, you know, really sporadically weak images, rubbish captions, no engagement, you know, that is not good. It’s not good for the brand, but it’s not good for you either. And that’s important. These things aren’t saying, I’m not kind of saying with this one particularly, I’ll make yourself something you’re not.

I’m saying if you want to be taken seriously on social media, you’ve got to show up and be consistent. If you don’t, that’s absolutely fine too. I’m not here to tell you you’ve got to take social media seriously as i do, which would be weird cause I kind of do it for a job, but I’m not telling you you’ve got to take it seriously as I do. What I am saying is if you are approaching brands and saying that you can help them and you are going to help them via your social media, you do need to take that seriously because you are pitching somebody and you are taking their money in one way or another. And if you are doing that, you need to make sure you can deliver. You need to be confident in what you’re doing and that you are going to do the best you can for them because these are people at the end of the day, even if it’s a big company, there are people that work for that company.

There are people that you know go over and above blood, sweat and tears, all of that. And if you are approaching them and you’re really offering them a really, really weak thing, it’s a real person. You may want a free bridle, let’s say, but that money that that cost, someone’s had to soak that up. You know the person who’s made said bridle has had to be paid, the postage has had to be paid, the marketing, everything else. There’s so much connected to each product that is sold and you taking that it’s a responsibility, it’s your responsibility to do a good job and it’s your responsibility when you pitch to somebody to make sure you’re in a position where you can realistically deliver on that. And again, I’m not saying you need to have 20,000 followers, I’m not saying you have to post 18 times a day.

What I’m saying is you need to make sure you have a value there, a value there that the brands can see that your followers can see. And if you haven’t got that, go look at your social media strategy and think, actually is this something that I want to do as a brand ambassador or do I just want to do it for my own enjoyment and for fun? Is it something I want to do to build a personal brand or is it something I just want to do as in when? And I don’t really, you know, have that much, um, concern about the, the longterm, the personal brand. And I’m not saying either of those options is wrong, but I am saying if you are that person, you are probably not or possibly not the right person to then pitch. You’re going to do this really comprehensive campaign on social for a brand.

So there are my five ways not to approach a brand if you want to be an ambassador or sponsored rider. So using the wrong name, the question marks, putting in what you want first, no knowledge of the product and no value to offer. Sounds harsh. All true. If you would like to further your knowledge on how to work with brands and if you want to give your social media a real supercharge, then I have a new course called social supercharge: riders, which is available. It’s a digital course, it’s online, you can study whenever you like. There’s a Facebook group and an absolutely killer discount page too from some of my favourite brands, you can get really, really significant discounts from. Um, so that is, that’s a really good option if you’re looking to increase your, you know, improve your social media to attract, whether it’s brand ambassadors, sponsorships, whatever you want, even owners.

It’s a really good course. So if you’re interested in that, there’ll be a link in the show notes, but also if you go to my website and look at work with me at social supercharge riders, it is there or feel free to DM me and I’ll send you over the link for more information. It’s at Rhea Freeman PR is my, um, Instagram DM and also I can send you a link and there is a free video preview there. So that’s quite useful if you are interested in finding out a little bit more information. Thank you so much for listening to this episode. I hope it’s helped. Don’t forget, take a screenshot, share on stories and tag me. I love to see where you’re listening, when you’re listening. Um, and I have really enjoyed this episode. I hope you have to. Thank you

5 ways not to approach a brandIf you’re a brand or if you’re someone looking to approach a brand for whatever reason, this one is for you. In addition to finding out HOW to approach things, I also think it’s important to look at ways not to do things. And in this episode of the Small & Supercharged Podcast, I’m looking at five ways not to approach a brand. There’s probably enough in this topic to write a book, but in this episode I’m looking at five ways not to approach a brand.

 

 

5 ways not to approach a brand

There are probably a million ways not to approach someone you want to work with but in this episode, I’m focusing on five ‘popular’ ways to rub a brand up the wrong way…

  1. Get the name wrong. I know it’s basic. I know you might not believe that anyone would ever be so silly/rude. But it really happens and far more than you might think.
  2. The question marks. Oh God. I wish I could tell you this was an urban legend – but it isn’t. Some people have the audacity to send a line of question marks moments after sending a message via social media because they didn’t get an immediate response. Don’t do it. It’s rude.
  3. Let them know what you want. When you’re at the intro stages, when you are just trying to get them to notice you and consider working with you, telling them EVERYTHING you want from them just isn’t going to work, OK? You need to woo them. You wouldn’t meet someone on a first date, sit down, and launch into how you want to get married and how many children you want to have with them – OK?
  4. Show you have no interest or knowledge of the product. Yes, this happens. Brands receive DMs telling them how much someone loves their product, but when the brand looks on their social media, they don’t see any of their product, but you see lots of a competitor’s. It’s not good. And it’s not just not good from the brand’s point of you, but as a personal brand, it’s damaging to you too. If you’re jumping around from brand to brand after the latest freebie, you’re not being authentic or genuine. I’m always looking to work with genuine flag wavers. It’s a good way to thank them and far better for the audience too.
  5. You have nothing to offer. It sounds harsh, but trust me on this, I’ve seen a lot of messages and DMs from people who really don’t have anything to offer a brand. Well, not at this stage. Listen to this episode and you’ll find out more.

I hope you enjoyed this episode- if you enjoyed it, please screenshot and share on your Instagram Stories- and tag me @rheafreemanpr too. Hope you enjoyed it!

If you want to give your personal brand a real supercharge, check out my online course designed for equestrians called Social Supercharge: Riders – it’s a good one!

Download the FULL TRANSCRIPT to this episode of the Small & Supercharged Podcast here.

Confidence, mindset, procrastination and being you with Jane PikeThis is a GREAT episode! I know, I know I always say that, but listen. Not only do I LOVE Jane, not only did she play a big part in my first TEDx talk, but she’s also just so, so knowledgable. Jane Pike is also known as Confident Rider and is an equestrian mental skills coach. As a coach, she helps riders work on their confidence and performance mindset through her JoyRide programme. In this episode we talk about confidence, mindset, procrastination and so much more. And we also look at the cross over between our work, passions and so much else when it comes to mindset.

Confidence, mindset, procrastination and being you with Jane Pike

In this episode, we talk about how Jane got involved with the mental skills side of horsemanship, and the shift that’s happened that now combines our skills and technical ability in the saddle with what’s going on in the rider’s mind. We talk through Jane’s current work with riders who ride for pleasure and the issues they face like anxiety and lack of confidence, and professional riders who are seeking to gain the edge in their performance – things like why the results differ between competing at home vs. riding at a show.

We then move onto discuss in a lot more detail confidence, mindset, procrastination, and really owning who you are. It’s a great episode.

If you loved Jane (and I KNOW you will!), here’s all the places to find her…

The Confident Rider website

Confident Rider on Instagram

Confident Rider on Facebook

Confident Rider Podcast

…and if you fancy a laugh here’s my first TEDx talk where I try and pronounce Jane’s hometown.

 

Five social media posts all equestrians can use this week

How to promote your website without spending a penny

How to promote your website without it costing you a penny – Transcript

Rhea Freeman: (00:10)
Do you have a website? If not, stop what you’re doing. Go and listen to episode number 45 which was where I spoke to Ray from Worcester web studio, all about websites and to be honest, I do go on quite a lot about that. There’s also one about the Facebook and Instagram crash at number 42 but it also talks about websites, but as we move through this podcast, I’m going to assume you’ve got your own website and now I’m going to hopefully help you to promote your website better because to me having a website is really key. It’s the hub of what I do. Even though I post a lot on social media, I do podcasts like this one, I do video, I did lots of different things. The reason that I am on all those platforms is to market what I do in one way or another.

Rhea Freeman: (00:56)
And that then if people want more information or there’s more depth of content is on my website. But in order to allow people to get to know about my website, in order to drive people to my website, I need to tell them about my website. And that’s one way that we can use social media. When people go (and I’ve had people go), I’ve got a website. Or people go, well, I’ve got social media. Please consider having the two. It’s really, really important. If you want to have a sustainable longterm business, you’ve got to have the two. I really, really believe that. But the good thing is that they can work beautifully together. They can support each other. It’s not an either or decision. You can use them both to promote what you do. And it’s a really, really important thing to do that as well.

Rhea Freeman: (01:45)
So I’ve got a few different ways, to help you promote your website, to help people find it, to get traffic to it, to allow people to get to know you better, to get to know you more in depth and get to know you kind of natively. Because when we are posting on other platforms, we obviously have to very much go with the format. So if you’re in Twitter, 280 characters, that’s it. But if you’re like me, you use more than 280 characters. When you are talking to people, you’re expanding what you do. Obviously the captions on Facebook and Instagram are much, much longer. Um, but obviously in order to get that exposure that you want, equally, you need to fit in with that criteria and hashtags for Instagram for example, which in normal writing you wouldn’t use. Um, so it’s important. It’s a really good thing as well because it’s native, it’s in your format.

Rhea Freeman: (02:40)
Um, and I think people can get a real, a real feel for what you’re about, not just in terms of the words that you use and the copy that you share on your website, but also in the design, the colours, the feel, the language, um, all sorts. I know if you look at, if you look at lots of different, you get a really strong vibe about the company. The second you go and visit them, a picture paints a thousand words and all that. And I’d say a website, even just from the aesthetic can paint a lot more than that. So go and when you go and have a look at different people’s websites, it’s really important I think to think about the first impression you get from looking at what they do. What, what can you gain from that first page above the fold? What can you see about them?

Rhea Freeman: (03:25)
And if you think about a few different ones, so I’m going to just say Hiho Silver, you know, instantly it’s kind of luxury, it’s purple. I think it’s really obvious the kind of tone and feel of the company very, very early on when you look at their website. And I think that that’s the same with a lot of websites- Joules for example, when you click on the Joules website, you get the kind of, you get a real feel for what they’re doing. You get the kind of fun countryside outdoor vibe very quickly. And while you might get that on social, it’s a snapshot. So it is a product on their social or a piece of user generated content and that’s fine, that’s really good. But if you can put it on your website, it just has a lot more context around it.

Rhea Freeman: (04:14)
So the first way that you can promote your website is obviously through social media. Now with Facebook you could obviously include the link to either a blog or a product or something like that in your caption. And with Twitter, you can do the same. With Instagram. You can’t. You can point people to the link in your bio and I do that a lot with mine, but I’ve also got link tree set up -that’s L, I N, K, T, R, then dot E, E I believe and that is good because you can have up to five different contacts in there for free. You can also pay, um, if you want to have more than that. But generally if you want to five different places to send people, you can get a linktree set up for free. Some people think this is a good idea.

Rhea Freeman: (05:17)
I’ve got a mine because I always, when I put out a podcast, I always point people up to the podcast. Um, and I will say link in the bio for that and I’ve got a link in there to something called go pod, which has got a list of all the different places where the podcast is that people can find it. I’ve also got a link in my linktree to my blog, to my freebie section and a couple of other bits as well, and it just means if I say link in the bio, I don’t have to then go and change the link in the bio every single time I say link in the bio. But also I think it gives people more of a menu of what they want to select. Some people say on the flip side, you can have your own landing page on your website.

Rhea Freeman: (05:56)
You could have a link which went to your website and then from your website you could have a number of different links that could point people where they wanted to go, which could be another way to do it and could be a way. We’re talking about being on brand, having the feel of what’s going on. That would work quite well for that, to be honest, because it can be in your colours, in your style, et cetera, et cetera, or other people change their link in their bio quite regularly to promote specific promotions or offers or things they’ve got on. I don’t think there’s a wrong way to do this. I think it’s just what suits you. Um, I have got linktree at the moment. I did just have the one to start with that went to my blog when I introduced the podcast.

Rhea Freeman: (06:38)
I do also blog and I also have the freebie things. So there’s a lot going on there that I want to point people to and I point to them on different posts and I didn’t want it to be changing the link every time because also then meant that if somebody read an older posts and in the bio and the link in the bio was different and not just older like years ago, I mean if someone read a post I put up on a Monday that said link in the bio, which was to a blog for example, but on Wednesday I’ve got the podcast and I’ve changed that link. I just felt it might not be the best. So I have gone linktree for that. So, but the good thing is you can either say link in the bio or as I said Facebook and Twitter. You can add the link into your caption and do, do this.

Rhea Freeman: (07:24)
You don’t have to do it all the time and there are ways as well that you can tag products on Instagram, which is a good work around and on Facebook that can get people to your website if you are a product based business. But if you are more service-based, it is slightly more challenging. Um, another little hack you can do is if you use IGTV, you can add a link to your website in the description of your video if you want to, if it’s relevant. And if you have the swipe, perhaps if you’ve got over 10,000 on a business account, you can have the swipe up that can obviously link to your website again, it’s interesting because people want that 10,000, it is absolutely their goal because they want that swipe up and then it gets 10,000 they do a few swipe ups and then they don’t do it all the time.

Rhea Freeman: (08:14)
And I don’t think that’s actually a bad thing because when you ask someone to swipe up, you are taking them away from the platform they’ve decided to spend their time on. Um, so it’s good to have the swipe up when relevant. Absolutely. But it is interesting because we all kind of want that. And then not so much because we’re looking at stories and we want to look at other people’s stories. But obviously you can, you know, you can track the insights from your swipe ups as well. But don’t get so hung up on that and miss the kind of bigger picture. There are plenty of ways you can direct people to your website. Obviously. I’m not saying don’t use a swipe at all far from it, but I’m saying that there are lots of different ways that you can get people to your website from your, from your IGTV, which you can also share on your stories from your link in the bio.

Rhea Freeman: (08:59)
There are lots of different ways if you want to move from there, but yeah, definitely use your social to promote your website. It’s a really easy way to do it, so really easy win. The next thing is guest blogs and this can be part of a much greater content marketing strategy and it’s definitely one that I would suggest that you did, but it can be good because you get the inbound links to your website because you are writing content for somebody else and part of that kind of payoff is that you have your links there and that people can then find your website through that. The good thing about this is you’re exposing yourself to a different audience. So if you are guest blogging for somebody, you are being a guest on their platform and creating a blog for their platform. Hence the guest word.

Rhea Freeman: (09:45)
Um, and then because you’ve got that exposure, you’ve got the opportunity to get them over to your website to find out more about you to get a resource that you’ve talked about in your guest blog to find out about a specific thing you’ve mentioned in your guest blog. There’s lots of scope there to do that. So getting, getting that promotion in. And I think that’s why if you’re looking to do that and you’re looking to guest blog, if there can be an incentive there to get people across that could be really good. So maybe you talk about something in your blog where they can find more information or you talk about your favourite product and you’ve done a review of the product. If you’re more of like a lifestyle blogger. So if it was me, for example, I would probably put links to one of the three freebies I’ve got on my website.

Rhea Freeman: (10:28)
I’ve got one about Instagram stories, I’ve got one about Canva and I’ve got a rider one as well. And I, that’s what I would do because then there’d be a reason for people to come over to my website and actually I would then encourage them to sign up to my newsletter because they’re on my website. But I’m saying that guest blogging can be a really good way of getting those people who have read about you on a different platform. You’ve been introduced to them and they think, Oh, that’s interesting. Or Oh, I wonder if there’s more information about that. You can move them over if you include your links. It can also be quite good for your SEO as a side benefit, um, to get those good quality inbound links. So guest blogging is a good call. Um, the next one’s really easy. One is actually in your email signature.

Rhea Freeman: (11:12)
So I know of people who have got um, little images graphics. There we go, got there in the end, in their email signature with a new product or new service or a new blog or a new thing and they would then link to a website or you can just have a live link in there, a hyperlink in there that can say something like, you know, find out about my latest blog post. Or if you’ve got a really high performing blog posts or if you’re an award winning website or whatever, you can add that into your signature, into your email signature that will go on every email that you send and you can maybe pull out a specific aspects of what they might find on your website or what you might do there and that could encourage them across to find that. I’m not sure how high the conversion is on that.

Rhea Freeman: (11:59)
Um, but it’s space that is really not used for a whole lot. And if there’s something particularly exciting and if you’ve got the graphic there which will attract people more to it. If you put a bit of time in go to good old Canva and design a little graphic that is quite eye-catching, you’re more likely to get a higher conversion there than if you just put a simple hyperlink. But on the flip side make it work for you. And I think it’s something to experiment on as well. If you want to encourage that, that those people to come to find out more about you on your website and to drive that traffic over there, that’ll be a really good place to do it. The next one would be collaborations and this could fall into the guest blog category, but also if you’re collaborating with somebody on social, then um, whether it’s like a competition or something, which is another point, then you could incorporate a website element into that.

Rhea Freeman: (12:54)
So if you’re doing a collaboration with, with anybody really, maybe you would write a blog post on your website about the collaboration that you are working with, you are running and that would be way to encourage the traffic and could be something that they could also promote on their social if it’s about them, even though the blog is on your website or the content is on your website and if you’re doing a competition, although a lot of competitions focused around social, you could either have it so people need to find out some information from your website in order to come back to social to enter or you don’t have to run your competition purely on social, you could have it so people need to register or do something on your website. Obviously make sure it’s GDPR compliant that goes without saying.

Rhea Freeman: (13:43)
But you could encourage them from social to sign up to a newsletter list essentially about the competition or at least complete a competition form on your website that would allow them to enter. Obviously the mailing lists thing. You need to make sure you are playing correctly for that. But you know what I mean? You can encourage them over to sign up to your website or to get involved in your website. It’s just a straightforward form or whether it is more of a longer term part of your marketing strategy, you can encourage them over. And again, there’s nothing wrong with that, it’s just what you want to get from the competition. But I would say, and I’ve seen people do, it’s the other way and it always really bugs me like pick a side on this. So if your competition, you want to get people to your website, have that as your focus.

Rhea Freeman: (14:37)
So have it saved. The competition form is on your website. Have it so that that is what they need to do. It’s really simple. It needs to go to your website, fill in the competition form, and then they’re entered. Or even if it’s they go to your website, find some information, come back and comment, fine. But what really bugs the heck out of me is when I see these competitions on social and people have to jump through so many hoops. I have seen things before now and I’ve looked and gone, Oh, I’d like to win that because we all thin that and then I look at the information as well. What you need to do is you need to go to their website, fill in a form, then I need to come back. Then I need to like it. Then need to comment, I need to share and I need to tag everybody I know in the world.

Rhea Freeman: (15:20)
Then I need to get it tattooed on my forehead and, jokes about the forehead one. Um, but you know what I mean? Make it really simple. And I know we talked about this in a previous episode as well about running competitions on social media, but um, I think it’s really important. Just pick a side and if you want to drive traffic to your website, that’s completely fine. But really focus in on that and let that be how people enter. Don’t make it difficult for them to do what you want them to do. It’s not ideal. Um, then we talked about, so yeah, collaborations, which can be a blog can be a competition, but talking about blogs more, I know I’ve talked about them quite a lot, but this is quite a good way to drive traffic to your website by updating your blog regularly and putting out fresh content there.

Rhea Freeman: (16:08)
In order to get people interested, you might need to do a teaser of some description on the social media platform that you are using to promote what you’re doing, but then you can have a link to your blog and you can have something in your, in your blog and in your caption that would drive people from social media platform. They’re on to the blog, but if you’re putting out a fresh content or release, you’re telling people about your content. That’s really key and it’s something that I know that is so easy not to do. You put out a blog on Monday. And you would promote it a little bit that week. And then you move on because you’ve got another blog the next Monday. And actually not everybody is seeing that post that you put out. So it’s important that you remember to promote the blog when relevant at different times as well.

Rhea Freeman: (16:59)
I actually use a, um, a subscription service called SmarterQueue. There’s another one called Meet Edgar. Um, and it actually recycles your content. You tell it what you want to recycle. So if you’ve got evergreen content like evergreen blogs, by which I mean they’re not particularly timely about a specific event or something, um, or a new collection that wouldn’t be relevant if it was recycled in six months, for example. But if you have evergreen content, so I have a lot of content, like how to or that style, the recycling element can be really good and it is a really good way to drive traffic because you are reminding people of something they may have seen months before or weeks before. But also what you’re doing is people who haven’t seen it because of the way that the algorithm works or maybe they weren’t even online that time or they weren’t following you at that time or whatever, you’re allowing them to get the chance to see it again.

Rhea Freeman: (17:54)
And I’ve been quite interested actually to look and see that when posted recycled, the engagement on them doesn’t actually drop off that much. Um, it’s not, I mean it’s not always as good as the very first one, but the next few they don’t have the drop off you’d expect, which I think proves really that not everyone sees our content all the time and more than that. Um, even if they have done, it’s not bad. I mean I wouldn’t recycle it every single day for a year because that would be boring. But you can get stuff in a rotation and that can allow you to get that, um, get those all important eyeballs on and get them to your website. Also I think we put a lot of energy and time into creating this content and then we promote it once and move on and we don’t have to.

Rhea Freeman: (18:48)
If it’s evergreen stuff we can keep promoting it. Even if you don’t have to use a system. I do but you could use a scheduler just general scheduling software and look at your blogs and go actually I’m going to put those in and have a kind of file or a reminder to pull out a classic blog perhaps throwback Thursday if you want, but you know you can do it like that. I just liked the fact that it’s cycling away in the background and I can tell it when I wanted to post some older content that I know still evergreen and valuable but you don’t have to use Smarterqueue or Meet Edgar to get it there. Just two possible options for you there. So there are a few ways to promote your website there. By promoting your website as well you are improving the chance of people getting to see it.

Rhea Freeman: (19:36)
You’re improving the opportunity for people to work with you because you’re getting yourself out there and you’re just upping your chances of everything that you want. I know this, some people have got some incredibly strong social media platforms and I really get that and I really, really respect that. But from my point of view, if somebody doesn’t have a website, I instantly don’t think they’re quite as legit as somebody that does, which is silly, but your website is very much your shop front and is a thing that you own and it ticks all those boxes. And if you don’t have that, it’s, it’s not so good and more than if you don’t promote it, you’re doing yourself a disservice because you’ve obviously put time and energy and everything else into your website and getting it to look how you want. And then if you’re not promoting it in any way, you’re really missing an opportunity there.

Rhea Freeman: (20:24)
And I do know how icky and weird self promotion can feel, but I think it is something that you feel is giving value. So when we’re talking about the blogs and the content that way, that’s a massive way to give value to your audience. So if you can perhaps reframe it a little bit and think of it as that and the opportunities you have to really promote things that would help your audience. It help you feel a little bit better about how to promote your website. But I hope you find some tips there that you can apply and you can use. If you’ve listened to this episode, please do screenshot and share on your stories and tag me. I love seeing who’s listening, where they’re listening, all of the above. Um, and I’ll catch up with you very, very soon. Don’t forget as well that that is always the free, small and supercharged class and class and the Facebook group. You’re very welcome to join, to learn a little bit more and to network. And you might even find somebody you can get look for them there. Who knows? So take care and we’ll catch up next week. I hope you have a brilliant week and don’t forget to pop over and see us in the small and supercharged Facebook group. Just answer the questions and you can come on in and join us.

Listen to the podcast ‘How to promote your website without it costing you a penny’ here through the shownotes or via Go Pod where you can find links to iTunes, Spotify and all the places!

How to promote your website without spending a penny

If you’ve been listening to this podcast for a while, you’ll know I’m pro websites. Even if you have a strong social media presence. A website is your online hub, your shop window, your online home, and it’s important you have one. But when you have one how do you tell people? In this podcast I share some easy ways to promote your website, so you know how to promote your website to your target market with ease.

How to promote your website

In this episode, I share how to promote your website in a variety of really easy ways. There’s a lot more detail in the podcast about how to do this but, in summary you can tell the world about your website…

  1. Through social media (and there are different ways to do this depending on the platform you’re using and the nuances of that).
  2. Guest blogs.
  3. Your email signature that goes out to every email that you send.
  4. Collaborations and competitions.
  5. Giving people a reason to visit your website and then telling people about this! And in the podcast there’s a cheeky way of making your content keep working for you without having to create new content all the time.

Easy, hey?

So there you have it – five easy ways to promote your website that you can do now for free. OK, some might take a little while to work out, like collaborations and competitions, but you can get started on everything I talk about in this podcast now. And it won’t cost you a penny. It may also have additional benefits for your business and brand… it’s a win/win.

Subscribe to the Small & Supercharged podcast on iTunes

View the full transcript for this episode here

The Shotgun & Chelsea Bun Club and burnout to balance with Victoria Knowles-LacksIf you’re into ladies’ shooting at all, you’ll no doubt know about the Shotgun & Chelsea Bun Club and its founder Victoria Knowles-Lacks. In this episode of the Small & Supercharged Podcast, Victoria talks about the Shotgun & Chelsea Bun Club, National Ladies Shooting Day, and her best selling book Make It Happen, which tracks her journey from burnout to balance. It’s been quite a journey!

The Shotgun & Chelsea Bun Club and burnout to balance with Victoria Knowles-Lacks

If you’ve read Victoria’s book (and if not, you really should!), you’ll know how open and honest she is, and in the podcast you’ll hear all about this. Victoria talks about why and how she started the Shotgun & Chelsea Bun Club and what it provides to ladies looking to shoot, and how this has grown from the seed of an idea into what she’s created now. We talk about how her work life looked as the business was growing, which involved driving around the country to each shoot, why and how she started the National Ladies Shooting Day, and what that has grown into, and how the business is structured now.

On from the business, we also have a chat about Victoria as a person and the challenges that she’s faced. We talk about her beloved father, Karl, who sadly passed away after a five year battle with cancer. Not only do we talk about the way that her dad’s illness impacted on her, but also the value of community and how the Shotgun & Chelsea Bun Clubbers supported her and showed up for her during that period. We also touch on the benefits of social media and how focusing on the good can be hugely valuable and have a very positive impact on you in all sorts of ways. The support of Victoria’s Dad was definitely one.

The Ladies Shooting Club

The Ladies Shooting Club is the Shotgun & Chelsea Bun Club’s sister brand, but is a membership platform that Victoria created. Originally, the membership was linked to the Shotgun & Chelsea Bun Club, but then it got split to cater for potentially different audiences. Victoria split the Ladies Shooting Club and the Shotgun & Chelsea Bun Club so one focuses on membership and community, and the second is just events.

The book – Make It Happen

It might seem like a bit of a leap as Victoria is very well known in shooting circles, but Victoria has recently published a book all about mindset and motivation in addition to how she reorganised her business. She talks about how, when her Dad was poorly, she got a whole lot of perspective on everything and started to use this for her book.

Victoria, as you’d expect, is so open in this podcast. She talks about perspective, lessons she’s learnt, how she shares thing and why, and the amazing reaction she’s had to her book. We also talks about the process of writing the book and how she promoted the writing of the book and the journey she’s been on with the writing. From staring at blank Google documents to deciding the cover.

We also chat about launching the book. We talk about how Victoria felt about getting best seller status on Amazon, how she did it, and how it kept growing and developing as the day went on.

To get your hands on a copy of the Make It Happen Book, you can get it here on Amazon or through Victoria Knowles-Lack’s website here.

To find out more about the Shotgun & Chelsea Bun Club and Ladies Shooting Club, click on the links and you’ll be whisked over to there!